ࡱ> 352c KjbjbSS 211K] ,ZZZZZZZZ,ZZZZZ*ZZZ***ZZZ,,Z**r2TFy@Modernism, Realism, and Gender. Web site suggestions Week 2: The Painting of Modern Life George Simmel Discussion of city life, images of 19th century cities suggestive of 'calculation, control, regulation', 'mere cog in an enormous organisation'. Possible place for Caillebotte's 'Paris, a Rainy Day'; Turner; Monet; futurist imagery; Possible incorporation of contemporary images of New York: 99c stores, Canal st, financial district, large impersonal buildings. Discussion of the ideal city dweller, illustrated by the character of Henry Higgins in Shaw's Pygmalion or My Fair Lady; the character of the uncle in James' The Turn of the Screw or the early film version, The Innocents; Toulouse Lautrec images; Manet 'atrophy of individual culture' in cities: images contrasting the 'generic human being' and the portrait Charles Baudelaire Character of the flaneur: Constantin Guys: numerous cited illustrations taken from the London Illustrated News Daumier's caricatures Eugene Lami Meissonier is Baudelaire's example of 'trivia run mad' Corot is effective for his provision of an impression, usefulness of the city scapes of the Impressionists? Baudelaire's dislike of David, Rubens, Veronese, Ingres: Show examples of neoclassicism to show what Baudelaire was reacting against? 19th century fashion plates The 'average American' Time magazine concocted Week 3: Women and Modernity Janet Wolff Possibly use images of men for the first week, introduce images of women this week images of women who do not fit the character of the flaneur: Degas' the absinthe drinker, Manet's Olympia, Bar at the Folies-Bergere, illustrating the categories of women found in Baudelaire: prostitute, widow, old lady, lesbian, murder victim, passing unknown woman: La Traviata themes of tourism, disconnectedness, distance illustrated by 19th century panoramas, passage from Madame Bovary decorative women's dress, Renoir, early Monet 19th century consumer culture directed at women: place for advertising images, Mary Greave's Pears Soap advertisements Griselda Pollock Alfred Barr's chart of The Development of Abstract Art Manet's Olympia and Bar Maid Place for surveys of Cassatt and Morisot Reproductions of Cassatt and Renoir opera images Pollock compares Degas images Robert Doisneau's 'An Oblique Look' (1948) Week 4: The Ascendency of Modernism Clement Greenberg Opportunity for image survey of the history of modernism, going through the period as Greenberg describes it, providing examples of the artist's he discusses: Manet, Impressionists, Cezanne Comparison with 18th and 19th century work: David, Ingres, Fragonard Eva Cockcroft discussion of Abstract Expressionism: Pollock, de Kooning, Gorky, Kline, Motherwell, Rothko, Still, Tomlin, Guston, Polish artist Tadeusz Kantor contrast of Abstract Expressionism with sociaist realism, Nazi Germany role of the Rockerfeller family site links? Rockerfellers, MoMA Week 5: Institutions of Modernism Howard Becker art as collective action: illustrated by video on Jeff Koons Orlan's operations Duchamp's Mona Lisa, In Advance of a Broken Arm, etc. John Cage and Karlheinz Stockhausen musical examples; possible scores of Harry Partch's 42 tone compositions. 1960's and 70's conceptual / political work: 'attacks on conventions is read as an attack on morality' earth works sculpture: Long, Christo Carol Duncan and Alan Wallach Week 6: Gender and Modernism Carol Duncan this argument is built around detail discussion of particular images, it would be nice to have better reproductions of these symbolist painters; virility in fauvist, cubist, Bruke, German Expressionist work; Moreau, Gauguin, Munch, Kirchner, Kees Van Dongen, literary correlation in D. H. Lawerence late 19th century celebration of maternity: Zola's La Fecondite (1899) possible role of artist's statements Whitney Chadwick survey of women artists, possibly provide a number of examples of each to supplement her discussion: Suzanne Valadon; Paula Modersohn-Becker; Kathe Kollwitz; Gwen John; Camille Claudel (including the film Camille); Marie Laurencin; Florine Stettheimer; Georgia O'Keeffe; Emily Carr; Barbara Hepworth; Leonora Carrington; Leonor Fini; Kay Sage; Dorothea Tanning; Remedios Varo; Frida Kahlo Andre Breton's poetry demonstrating the problematic surrealist conceptualisation of creativity as procreation Pieces from Freudian texts Week 7 Gender and Modernism (cont.) Lisa Tickner Janet Wolff link to Whitney Museum site surveys of work omitted from the dominant history of American art: American Impressionists; 'Ashcan' Group; artists in the Whitney circle similarities with Australian art of this period Leon Golub Images from the Whitney exhibition programs over its history; catalogue from 1997 'American Realities' exhibition Week 8: Realism and Modernism Christoph Grunenberg link to MoMA site, contrast with the Tate Modern Bauhaus Brendan Prendeville 9]6?COv  C G \ y 1 3 T a  8 $&yKi/UK6H*>*3 !"789]^lmW>?RT , [ \ x  & F & F & F & F !"789]^lmW>?RT , [ \ x y ` b     Q n   7 8 J K NO]^7Xxy1+,JKhivwz !/0TUbcopGRdx y ` b     Q n   7 8 J K NO]^ & F7Xxy1+,JKhivwz & F !/0TUbcopGR,456J & F,456J JK/ =!"#$%_COUNT="2" OBJECT_TYPE="LINK">Hotmail Inbox
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